The car crashed into the Seine and the children and the nanny drowned. Her chauffeur had forgotten to apply the handbrake when he got out of the car to repair the engine in a corner. Another significant inspiration to the dancer depicted the waves and the sound of the sea, which she also transferred into her movements. In 1913, both children died in a car accident in Paris. She borrowed her characteristic costumes from the clothing of antiquity: she preferred light and loose tunics, wore no corset and danced with bare legs and feet. In the cultural artifacts of ancient Greece, she believed to discover decisive models for natural dance movements and natural dancer bodies. Later one, she managed to merge this style with her understanding of American freedom mostly dancing bare foot. – Isadora Duncan, The Art of the Dance (1928)Īs already mentioned, her dancing often reminded the audience of the ancient Greek through her poses and her tunic. We realize that the movement peculiar to its nature is eternal to its nature.” We do not stand on the beach and inquire of the ocean what was its movement of the past and what will be its movement of the future. “The movement of the waves, of winds, of the earth is ever in the same lasting harmony. To bring her mission to a higher level, Isadora Duncan moved to the United States, opening another dance school, and in the 1920’s, she opened another one in Moscow. In order to achieve this, she opened dancing schools distributing her lifestyle and dancing philosophy. Throughout her career, Duncan lived the mission to follow her creativity and emotions in her dancing and to educate younger people. To her admirers belonged Auguste Rodin and Antoine Bourdelle. The critics often found many negative aspects in her movements but in general the reactions turned out rather positive and her fame across Europe grew. About her style, she once said: “ I spent long days and nights in the studio seeking that dance which might be the divine expression of the human spirit through the medium of the body’s movement.” Her dancing performances polarized. On tour, Isadora Duncan was able to improve and optimize her very own dancing style concentrating on rather natural movements and moving away from the classical ballet. Moving away from Classical Balletĭuncan began performing small shows in her studio in London and was finally asked by Louise Fuller, a pioneer of modern dance herself, to join her tour through Europe. Another influence to Isadora Duncan depicted the visits in Paris, especially the exhibitions at the Louvre. To be able to life her style in her dances, Duncan moved to London, where she found much inspiration in Greek arts while visiting museums. Her dance style was known to be improvised and full of fantasy, since she began giving lessons at the age of six and continued until her late teenage years. Later on, the talented young lady became part of a theater company in New York. – Isadora Duncan, as quoted in Isadora Duncan – Becoming a DancerĪngela Isadora Duncan grew up in a poor family in California and dropped out of school to support the family very early. “To seek in nature the fairest forms and to find the movement which expresses the soul of these forms - this is the art of the dancer. Breaking with convention, she traced the art of dance back to its roots and developed within this idea, free and natural movements inspired by the classical Greek arts. On May, 27, 1877, American dancer Angela Isadora Duncan was born, who restored the dance to a high place among the arts.
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